In 1871 the American entrepreneur Minor Keith won a contract with the government of Costa Rica to build a railroad from the capital city of San José to the port city of Limón. The project would modernize the country and increase exports, like in Chile and Peru, following the industrial expansion of the U.S. But before the Costa Rican railroad was complete in 1890, the government defaulted on its payments and renegotiated a deal which gave Keith’s company 800,000 acres of tax-free land along the railway and a 99-year lease on its operation.Continue reading “Banana Craze”
For seven years, a man explored the length, width, and height of the territory of Mexico. He traveled 33,302 kilometers, documenting the borders, cities, mountains, and volcanoes that shape the country. The explorer, Santiago Arau, is a photographer and filmmaker whose project, Territorios, is the subject of an exhibition at the Museo Amparo in Puebla.
In October 2019, the Louvre opened an unprecedented exhibition of works by Leonardo da Vinci. The show marked 500 years since the death of the Renaissance master and it was the largest-ever collection of his works brought together in one place. After more than ten years of research and planning, the once-in-a-lifetime exhibition offered an exhaustive catalogue of da Vinci’s oeuvre and set a record for attendance. One excluded painting, though, is a problematic footnote.
A temporary outdoor sculpture exhibition has opened in the Swiss Alps with installations of six works by Alexander Calder. Presented by Hauser & Wirth and the Calder Foundation, Calder in the Alps takes place in and around the posh resort town of Gstaad.
Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.
At the Winter Palace in Vienna, a selection of works by Ólafur Elíasson forms a site-specific exhibition titled Baroque Baroque. More than a dozen works, created during the last twenty years, are installed within the architecture of the 18th century palace. The contrast of Elíasson’s contemporary works inside grand Baroque staterooms alters perceptions of space and history for an experience that supersedes both.
During the Hellenistic period – from the death of Alexander the Great in 323 BC to the establishment of the Roman Empire in 31 BC – Greek power and cultural influence were at their peak throughout the Mediterranean and Macedonia. The vast empire was controlled by dozens of generals and rulers, and a new market for portraits was formed with the development of bronze as a primary artistic medium.