In 1970, the
Austrian artist and architect Max Peintner imagined a small forest contained
within a stadium in a drawing titled The
Unending Attraction of Nature. In it, a sprawling, smoky, industrial city
has subsumed the natural world, and thousands of spectators pack the stadium to
look at a few hundred trees.
On the island of North Uist, in the Outer Hebrides archipelago on the northwest coast of Scotland, a site-specific installation shows the impact of future climate change with a visual reference to rising sea levels.
In 1997, in Cuxhaven, Germany, the British sculptor Antony Gormley installed ANOTHER PLACE, a sculpture comprised of 100 life-sized iron figures, along the coast between the North Sea and the mouth of the Elbe River. The figures were spread 2.5 kilometers down the coast and a kilometer out to sea, facing the horizon and becoming submerged with the tides each day in September and October of that year.
In Paris, the iconic pyramid that serves as the main entrance to the Musée du Louvre seems to have temporarily disappeared. The illusion is the result of an anamorphic installation by the street artist JR.
In Rio de Janeiro, the Museu do Amanhã(Museum of Tomorrow) has opened just in time to become, perhaps, the most incredible new museum of 2015. Designed by Santiago Calatrava, the Museu do Amanhã is the showpiece of a redeveloped cultural district.
From June 9 through November 1, the Château de Versailles presents an exhibition of sculptural works by Anish Kapoor. It is the eighth exhibition of contemporary works at Versailles since 2008, and coincides with the tercentenary of the death of Louis XIV.
In Denmark’s Louisiana Museum of Modern Art, Ólafur Elíasson has transformed the museum’s South Wing into a rocky river landscape with a site-specific installation combining nature, architecture, and art.