In 1970, the Austrian artist and architect Max Peintner imagined a small forest contained within a stadium in a drawing titled The Unending Attraction of Nature. In it, a sprawling, smoky, industrial city has subsumed the natural world, and thousands of spectators pack the stadium to look at a few hundred trees.
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On the island of North Uist, in the Outer Hebrides archipelago on the northwest coast of Scotland, a site-specific installation shows the impact of future climate change with a visual reference to rising sea levels.
At Artipelag, a museum overlooking a bay in the Stockholm archipelago, an exhibition by Mats Bigert and Lars Bergström considers the intersection of culture and climate change. I stormens öga (In the storm’s eye) comprises works from 1990 to 2017 focusing on weather, climate, and human activity.
The art world’s newest biennale is also the smallest. On an uninhabited Caribbean island, works by 14 artists comprise In a Land of, the inaugural edition of the Biennale de La Biche.
In Rio de Janeiro, the Museu do Amanhã (Museum of Tomorrow) has opened just in time to become, perhaps, the most incredible new museum of 2015. Designed by Santiago Calatrava, the Museu do Amanhã is the showpiece of a redeveloped cultural district.
At the Place du Panthéon in Paris, twelve enormous blocks of ice are melting as world leaders are gathered nearby at Le Bourget for the UN Climate Summit. The ice is an installation by the Danish-Icelandic artist Ólafur Elíasson, whose work frequently joins nature and public installations to affect perceptions of the environment.
Rogers Stirk Harbour + Partners has been selected to construct a new storage and conservation center for the Musée du Louvre. The new facilities will be located in Liévin, 200 kilometers north of Paris near the Louvre-Lens. The center is expected to open in 2018, and moving the collections will take until 2023.
Continue reading “Louvre to Move Collections from Paris to Liévin”