Reality Projector

Ólafur Elíasson, Reality Projector, 2018; Installation view at the Marciano Art Foundation, Los Angeles; photo © codylee.co
Ólafur Elíasson, Reality Projector, 2018; Installation view at the Marciano Art Foundation, Los Angeles; photo © codylee.co

At the Marciano Art Foundation in Los Angeles, a massive installation by Ólafur Elíasson creates an immersive experience that, unusually these days, encourages visitors to take their time inside the space.

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Calder in the Alps

Alexander Calder, Six Planes Escarpé, 1967; installation view near Gstaad; sheet metal, bolts and paint; 119 x 156 x 150 in inches; photo by Jon Etter, © 2016 Calder Foundation, New York / DACS, London, courtesy of Calder Foundation, New York / Art Resource, New York and Hauser & Wirth
Alexander Calder, Six Planes Escarpé, 1967; installation view near Gstaad; sheet metal, bolts and paint; 119 x 156 x 150 in inches; photo by Jon Etter, © 2016 Calder Foundation, New York / DACS, London, courtesy of Calder Foundation, New York / Art Resource, New York and Hauser & Wirth

A temporary outdoor sculpture exhibition has opened in the Swiss Alps with installations of six works by Alexander Calder. Presented by Hauser & Wirth and the Calder Foundation, Calder in the Alps takes place in and around the posh resort town of Gstaad.

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Ólafur Elíasson at the Château de Versailles

Ólafur Elíasson, The Gaze of Versailles, 2016; installation view at the Château de Versailles; photo by Anders Sune Berg, © Ólafur Elíasson
Ólafur Elíasson, The Gaze of Versailles, 2016; installation view at the Château de Versailles; photo by Anders Sune Berg, © Ólafur Elíasson

Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.

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Ólafur Elíasson, Baroque Baroque

Ólafur Elíasson, Five Orientation Lights, 1999; Stainless steel, colored glass, halogen bulbs, Fresnel lenses, each lamp: 200 x 70 x 70 cm, installation: dimensions variable; The Juan & Patricia Vergez Collection, Buenos Aires; Baroque Baroque installation view at the Winter Palace of Prince Eugene of Savoy, Vienna, 2015; image © Ólafur Elíasson
Ólafur Elíasson, Five Orientation Lights, 1999; Stainless steel, colored glass, halogen bulbs, Fresnel lenses, each lamp: 200 x 70 x 70 cm, installation dimensions variable; The Juan & Patricia Vergez Collection, Buenos Aires; Installation view at the Winter Palace of Prince Eugene of Savoy, Vienna, 2015; image © Ólafur Elíasson

At the Winter Palace in Vienna, a selection of works by Ólafur Elíasson forms a site-specific exhibition titled Baroque Baroque. More than a dozen works, created during the last twenty years, are installed within the architecture of the 18th century palace. The contrast of Elíasson’s contemporary works inside grand Baroque staterooms alters perceptions of space and history for an experience that supersedes both.

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Power and Pathos at the Getty Museum

Torso of a Youth, “The Vani Torso,” 200–100 B.C. Bronze, 105 cm x 45 cm x 25 cm; Georgian National Museum, Vani Archaeological Museum-Reserve; Installation view of "Power and Pathos" at the Getty Museum, 2015; photo © codylee.co
Torso of a Youth, “The Vani Torso,” 200–100 BC; bronze, 105 cm x 45 cm x 25 cm; Georgian National Museum, Vani Archaeological Museum-Reserve; Installation view of “Power and Pathos” at the Getty Museum, 2015; photo © codylee.co

During the Hellenistic period – from the death of Alexander the Great in 323 BC to the establishment of the Roman Empire in 31 BC – Greek power and cultural influence were at their peak throughout the Mediterranean and Macedonia. The vast empire was controlled by dozens of generals and rulers, and a new market for portraits was formed with the development of bronze as a primary artistic medium.

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Anish Kapoor at the Château de Versailles

Anish Kapoor, C-Curve, 2007; stainless steel; installation view at the Château de Versailles, 2015; photo courtesy of Kapoor Studio, Kamel Mennour, and Lisson Gallery, © Tadzio
Anish Kapoor, C-Curve, 2007; stainless steel; installation view at the Château de Versailles, 2015; photo courtesy of Kapoor Studio, Kamel Mennour, and Lisson Gallery, © Tadzio

From June 9 through November 1, the Château de Versailles presents an exhibition of sculptural works by Anish Kapoor. It is the eighth exhibition of contemporary works at Versailles since 2008, and coincides with the tercentenary of the death of Louis XIV.

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Yoko Ono: One Woman Show

Yoko Ono's advertisement published in the Village Voice, December 2, 1971; image via Artforum
Yoko Ono’s advertisement published in the Village Voice, December 2, 1971; image via Artforum

In 1971, Yoko Ono placed ads in the Village Voice and The New York Times announcing The Museum of Modern [F]art, her one-woman show at MoMA. The 100-page exhibition catalogue included an image of Yoko Ono in MoMA’s sculpture garden with a jar of flies, which were to be released into the city and then photographed as they buzzed across New York. Continue reading “Yoko Ono: One Woman Show”

Björk at MoMA

Björk, Biophilia dress, 2011; dress by Iris van Herpen; installation view at MoMA, 2015; photo by Timothy A. Clary / Getty Images
Björk, dress from Biophilia, 2011; dress by Iris van Herpen; installation view at MoMA, 2015; photo by Timothy A. Clary / Getty Images

From March 8 through June 7, the Museum of Modern Art presents a mid-career retrospective of work by Björk. The eponymous exhibition examines the Icelandic singer’s career with a custom-built pavilion and a specially developed augmented audio guide for an immersive visitor experience. Continue reading “Björk at MoMA”