In October 2019, the Louvre opened an unprecedented exhibition of works by Leonardo da Vinci. The show marked 500 years since the death of the Renaissance master and it was the largest-ever collection of his works brought together in one place. After more than ten years of research and planning, the once-in-a-lifetime exhibition offered an exhaustive catalogue of da Vinci’s oeuvre and set a record for attendance. One excluded painting, though, is a problematic footnote.
At the Marciano Art Foundation in Los Angeles, a massive installation by Ólafur Elíasson creates an immersive experience that, unusually these days, encourages visitors to take their time inside the space.
A temporary outdoor sculpture exhibition has opened in the Swiss Alps with installations of six works by Alexander Calder. Presented by Hauser & Wirth and the Calder Foundation, Calder in the Alps takes place in and around the posh resort town of Gstaad.
Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.
In Paris, the iconic pyramid that serves as the main entrance to the Musée du Louvre seems to have temporarily disappeared. The illusion is the result of an anamorphic installation by the street artist JR.
At the Winter Palace in Vienna, a selection of works by Ólafur Elíasson forms a site-specific exhibition titled Baroque Baroque. More than a dozen works, created during the last twenty years, are installed within the architecture of the 18th century palace. The contrast of Elíasson’s contemporary works inside grand Baroque staterooms alters perceptions of space and history for an experience that supersedes both.
During the Hellenistic period – from the death of Alexander the Great in 323 BC to the establishment of the Roman Empire in 31 BC – Greek power and cultural influence were at their peak throughout the Mediterranean and Macedonia. The vast empire was controlled by dozens of generals and rulers, and a new market for portraits was formed with the development of bronze as a primary artistic medium.
From June 9 through November 1, the Château de Versailles presents an exhibition of sculptural works by Anish Kapoor. It is the eighth exhibition of contemporary works at Versailles since 2008, and coincides with the tercentenary of the death of Louis XIV.
In 1971, Yoko Ono placed ads in the Village Voice and The New York Times announcing The Museum of Modern [F]art, her one-woman show at MoMA. The 100-page exhibition catalogue included an image of Yoko Ono in MoMA’s sculpture garden with a jar of flies, which were to be released into the city and then photographed as they buzzed across New York. Continue reading “Yoko Ono: One Woman Show”