At the Marciano Art Foundation in Los Angeles, a massive installation by Ólafur Elíasson creates an immersive experience that, unusually these days, encourages visitors to take their time inside the space.
Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.
At the Winter Palace in Vienna, a selection of works by Ólafur Elíasson forms a site-specific exhibition titled Baroque Baroque. More than a dozen works, created during the last twenty years, are installed within the architecture of the 18th century palace. The contrast of Elíasson’s contemporary works inside grand Baroque staterooms alters perceptions of space and history for an experience that supersedes both.
At the Place du Panthéon in Paris, twelve enormous blocks of ice are melting as world leaders are gathered nearby at Le Bourget for the UN Climate Summit. The ice is an installation by the Danish-Icelandic artist Ólafur Elíasson, whose work frequently joins nature and public installations to affect perceptions of the environment.
Recently, we have been enamored with landscapes and water. Here’s a thematic roundup with two exhibitions that we’re sorry to have missed, and two that we plan to see soon.
In Denmark’s Louisiana Museum of Modern Art, Ólafur Elíasson has transformed the museum’s South Wing into a rocky river landscape with a site-specific installation combining nature, architecture, and art.