Tatiana Bilbao Estudio

Tatiana Bilbao Estudio, Villa Ventura, 2011; photo by Iwan Baan, courtesy of Louisiana Museum of Modern Art

At the Louisiana Museum of Modern Art in Denmark, The Architect’s Studio – Tatiana Bilbao Estudio is the third installment in a series of monographic architecture exhibitions that explore globalization, sustainability, and social challenges. With drawings, collages, models, and materials, the exhibition reveals the philosophies and processes of the Mexico City-based architecture team.

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FOR FOREST

Max Peintner, Die ungebrochene Anziehungskraft der Natur, 1970/71, pencil drawing. © Max Peintner
Max Peintner, Die ungebrochene Anziehungskraft der Natur, 1970/71, pencil drawing. © Max Peintner

In 1970, the Austrian artist and architect Max Peintner imagined a small forest contained within a stadium in a drawing titled The Unending Attraction of Nature. In it, a sprawling, smoky, industrial city has subsumed the natural world, and thousands of spectators pack the stadium to look at a few hundred trees.

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Tarsila Popular

Tarsila do Amaral, Cartão postal, 1929, oil on canvas, coleção particular, Rio de Janeiro
Tarsila do Amaral, Cartão postal, 1929, oil on canvas, coleção particular, Rio de Janeiro

At the Museu de Arte de São Paulo (MASP), Tarsila Popular is the largest exhibition ever dedicated to one of the great Brazilian artists of the 20th century. In Tarsila’s hometown, and in one of the most significant museums in Latin America, the exhibition brings together 92 works that contextualize race, class, and post-colonialism in Brazilian Modernist painting.

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Reality Projector

Ólafur Elíasson, Reality Projector, 2018; Installation view at the Marciano Art Foundation, Los Angeles; photo © codylee.co
Ólafur Elíasson, Reality Projector, 2018; Installation view at the Marciano Art Foundation, Los Angeles; photo © codylee.co

At the Marciano Art Foundation in Los Angeles, a massive installation by Ólafur Elíasson creates an immersive experience that, unusually these days, encourages visitors to take their time inside the space.

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The London Mastaba

Christo and Jeanne-Claude, The Mastaba (Project for London, Hyde Park, Serpentine Lake), 2016-2018, photo by Wolfgang Volz
Christo and Jeanne-Claude, The Mastaba (Project for London, Hyde Park, Serpentine Lake), 2016-2018, photo by Wolfgang Volz

In London’s Hyde Park, a monumental form floating on the Serpentine Lake is a feat of engineering and a spectacle many years in the making. Titled The Mastaba (Project for London, Hyde Park, Serpentine Lake), it is a temporary installation by the conceptual and environmental artists Christo and Jeanne-Claude.

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I stormens öga

Bigert and Bergström, I stormens öga, installation view, 2017; photo by Jean-Baptiste Béranger, courtesy of Artipelag
Bigert and Bergström, I stormens öga, installation view, 2017; photo by Jean-Baptiste Béranger, courtesy of Artipelag

At Artipelag, a museum overlooking a bay in the Stockholm archipelago, an exhibition by Mats Bigert and Lars Bergström considers the intersection of culture and climate change. I stormens öga (In the storm’s eye) comprises works from 1990 to 2017 focusing on weather, climate, and human activity.

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Maurizio Cattelan, Not Afraid of Love

Maurizio Cattelan, Untitled (2001), installation view at the Monnaie de Paris, 2016; photo by Zeno Zotti, courtesy Monnaie de Paris
Maurizio Cattelan, Untitled, 2001, installation view at the Monnaie de Paris, 2016; photo by Zeno Zotti, courtesy of the Monnaie de Paris

Five years after Maurizio Cattelan announced his retirement, following a 2011 retrospective at the Guggenheim in New York, a new exhibition at the Monnaie de Paris marks his return to the art world. Not Afraid of Love includes 44 artworks installed within the Monnaie’s 18th century salons and is Cattelan’s largest exhibition in Europe to date.

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Perception, České Budějovice

Jan Šépka, Perception, České Budějovice, Czech Republic, 2016; photo © Tomas Maly
Jan Šépka, Perception, České Budějovice, Czech Republic, 2016; photo © Tomas Maly

In České Budějovice, a historic capital in the south of the Czech Republic, the city’s public art gallery has temporarily appropriated a fountain within the town square. Designed by Jan Šépka Architects for the Domu umění města (House of Art), the project creates an experience to reconsider perceptions of public space.

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