In 1997, in Cuxhaven, Germany, the British sculptor Antony Gormley installed ANOTHER PLACE, a sculpture comprised of 100 life-sized iron figures, along the coast between the North Sea and the mouth of the Elbe River. The figures were spread 2.5 kilometers down the coast and a kilometer out to sea, facing the horizon and becoming submerged with the tides each day in September and October of that year.
In London’s Hyde Park, a monumental form floating on the Serpentine Lake is a feat of engineering and a spectacle many years in the making. Titled The Mastaba (Project for London, Hyde Park, Serpentine Lake), it is a temporary installation by the conceptual and environmental artists Christo and Jeanne-Claude.
At Artipelag, a museum overlooking a bay in the Stockholm archipelago, an exhibition by Mats Bigert and Lars Bergström considers the intersection of culture and climate change. I stormens öga (In the storm’s eye) comprises works from 1990 to 2017 focusing on weather, climate, and human activity.
This weekend, a large-scale project on Italy’s Lake Iseo connected two islands to each other and to the mainland. The project is not a bridge, tunnel, or other infrastructure, but a temporary art installation by the conceptual and environmental artist Christo.
Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.
In the Australian outback near Uluru, a temporary art installation has been created near one of the world’s most recognizable natural landmarks. The project, Field of Light, opened at sunset on April 1.
At the Place du Panthéon in Paris, twelve enormous blocks of ice are melting as world leaders are gathered nearby at Le Bourget for the UN Climate Summit. The ice is an installation by the Danish-Icelandic artist Ólafur Elíasson, whose work frequently joins nature and public installations to affect perceptions of the environment.
Recently, we have been enamored with landscapes and water. Here’s a thematic roundup with two exhibitions that we’re sorry to have missed, and two that we plan to see soon.
At the Oklahoma City Museum of Art, My Generation: Young Chinese Artists presents works by artists born in mainland China after 1976. They are products of China’s one-child policy and have grown up during a time of rapid urbanization, globalization, and cultural transition.