At the Louisiana Museum of Modern Art in Denmark, The Architect’s Studio – Tatiana Bilbao Estudio is the third installment in a series of monographic architecture exhibitions that explore globalization, sustainability, and social challenges. With drawings, collages, models, and materials, the exhibition reveals the philosophies and processes of the Mexico City-based architecture team.
In 1970, the Austrian artist and architect Max Peintner imagined a small forest contained within a stadium in a drawing titled The Unending Attraction of Nature. In it, a sprawling, smoky, industrial city has subsumed the natural world, and thousands of spectators pack the stadium to look at a few hundred trees.Continue reading “FOR FOREST”
In Paso Robles, California, a hillside meadow is illuminated each night with thousands of colorful glowing orbs. The temporary installation, Field of Light, is the latest and largest version of the itinerant project by Bruce Munro.Continue reading “Field of Light”
The Museum of Contemporary Art (MOCA) in Los Angeles has acquired a work of performance art by the multimedia artist Xu Zhen. Titled In Just a Blink of an Eye, it is only the second performance for MOCA’s permanent collection of some 7,000 works of postwar art.
At the Museu de Arte de São Paulo (MASP), Tarsila Popular is the largest exhibition ever dedicated to one of the great Brazilian artists of the 20th century. In Tarsila’s hometown, and in one of the most significant museums in Latin America, the exhibition brings together 92 works that contextualize race, class, and post-colonialism in Brazilian Modernist painting.
At 10:34 a.m. on December 3, 2018, the SpaceX Falcon 9 rocket launched from Vandenberg Air Force Base in California. Two hours later, 350 miles above Earth’s surface, it released 64 satellites into orbit for the largest satellite launch in US history. One of those, Orbital Reflector, will be the first “purely artistic” object in space.
On the island of North Uist, in the Outer Hebrides archipelago on the northwest coast of Scotland, a site-specific installation shows the impact of future climate change with a visual reference to rising sea levels.
In May of 1983, eleven islands in Miami’s Biscayne Bay were surrounded with 6.5 million square feet of floating pink fabric. It was an incredibly vibrant spectacle – green islands, pink fabric, turquoise water, and blue skies – realized by the conceptual and environmental artists Christo and Jeanne-Claude. The project, Surrounded Islands, is the subject of an exhibition now at the Perez Art Museum Miami (PAMM).
In 1997, in Cuxhaven, Germany, the British sculptor Antony Gormley installed ANOTHER PLACE, a sculpture comprised of 100 life-sized iron figures, along the coast between the North Sea and the mouth of the Elbe River. The figures were spread 2.5 kilometers down the coast and a kilometer out to sea, facing the horizon and becoming submerged with the tides each day in September and October of that year.
At the Marciano Art Foundation in Los Angeles, a massive installation by Ólafur Elíasson creates an immersive experience that, unusually these days, encourages visitors to take their time inside the space.