Elliot & Erick Jiménez: El Monte

Elliot & Erick Jiménez, El Monte (Ibejí), 2024, archival pigment print, image © Elliot & Erick Jiménez, courtesy of the artists and Pérez Art Museum Miami
Elliot & Erick Jiménez, El Monte (Ibejí), 2024, archival pigment print, image © Elliot & Erick Jiménez, courtesy of the artists and Pérez Art Museum Miami

At the Pérez Art Museum Miami, Elliot & Erick Jiménez: El Monte is the first solo museum exhibition of works by Elliot and Erick Jiménez. The artists, identical twin brothers, have conjured a body of work layered with personal identities, experiences of diaspora, references to art history and mythologies, and Lucumí spiritual traditions.

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Maurizio Cattelan, Comedian

Maurizio Cattelan, Comedian, 2019, banana and duct tape, 7 ⅞ by 7 ⅞ by 2 inches (installation dimensions variable), image courtesy of Sotheby's
Maurizio Cattelan, Comedian, 2019, banana and duct tape, 7 ⅞ by 7 ⅞ by 2 inches (installation dimensions variable), image courtesy of Sotheby’s

At Art Basel Miami Beach in 2019, Maurizio Cattelan presented a work of art that captured public attention and has kept it, now five years later, past any expiration date. It was deceptively simple—a banana duct-taped to a wall and titled Comedian—but it was a provocation that became the subject of discussions about the value of art.

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City

Michael Heizer, City, 1970-2022, photo by Eric Piasecki, © Michael Heizer / Triple Aught Foundation

In a remote valley of central eastern Nevada, a complex of shaped landmasses and monolithic structures is thought to be the largest sculpture in the world. Composed of rocks, compacted dirt, and concrete, a mile and a half long and half a mile wide, Michael Heizer’s City is a vast work of Land Art.

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Banana Craze

Francois Bucher, United (edition of 3), 2004-2005, 12 RC photographs on aluminium
Francois Bucher, United (edition of 3), 2004-2005, 12 RC photographs on aluminium

In 1871 the American entrepreneur Minor Keith won a contract with the government of Costa Rica to build a railroad from the capital city of San José to the port city of Limón. The project would modernize the country and increase exports, like in Chile and Peru, following the industrial expansion of the U.S. But before the Costa Rican railroad was complete in 1890, the government defaulted on its payments and renegotiated a deal which gave Keith’s company 800,000 acres of tax-free land along the railway and a 99-year lease on its operation.

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Santiago Arau. Territorios

Santiago Arau, Puebla desde el Iztaccíhuatl, 2019, color digital print, image courtesy of Museo Amparo
Santiago Arau, Puebla desde el Iztaccíhuatl, 2016, color digital print, image courtesy of Museo Amparo

For seven years, a man explored the length, width, and height of the territory of Mexico. He traveled 33,302 kilometers, documenting the borders, cities, mountains, and volcanoes that shape the country. The explorer, Santiago Arau, is a photographer and filmmaker whose project, Territorios, is the subject of an exhibition at the Museo Amparo in Puebla.

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Orbital Reflector

Trevor Paglen, Nine Reconnaissance Satellites over the Sonora Pass, 2008, C-Print, 48 x 60 inches; courtesy of Trevor Paglen, Metro Pictures, New York; Altman Siegel, San Francisco; © Trevor Paglen
Trevor Paglen, Nine Reconnaissance Satellites over the Sonora Pass, 2008, C-Print, 48 x 60 inches; courtesy of Trevor Paglen, Metro Pictures, New York; Altman Siegel, San Francisco; © Trevor Paglen

At 10:34 a.m. on December 3, 2018, the SpaceX Falcon 9 rocket launched from Vandenberg Air Force Base in California. Two hours later, 350 miles above Earth’s surface, it released 64 satellites into orbit for the largest satellite launch in US history. One of those, Orbital Reflector, will be the first “purely artistic” object in space.

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