Gabriel Orozco: Politécnico Nacional

Installation view of Gabriel Orozco: Politécnico Nacional at Museo Jumex, 2025, photo by GLR Estudio, courtesy of Museo Jumex
Installation view of Gabriel Orozco: Politécnico Nacional at Museo Jumex, 2025, photo by GLR Estudio, courtesy of Museo Jumex

At the Museo Jumex in Mexico City, Gabriel Orozco: Politécnico Nacional is the first museum exhibition in Mexico in nearly 20 years for one of the country’s leading contemporary artists. The show surveys Orozco’s work from the 1990s to the present, spanning four floors and the museum’s public plaza. With more than 300 works—sculptures, installations, photographs, drawings, paintings, and games—the exhibition explores Orozco’s practice of creating an interplay between objects and concepts.

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Benoît Pype, Le Sablier Millénaire

Benoît Pype, Le Sablier Millénaire, 2021, hand blown glass and coal-tar pitch, 30 x 40 centimeters, Collection Carmignac, photo by Laurent Blevennec via Studio Benoît Pype
Benoît Pype, Le Sablier Millénaire, 2021, hand blown glass and coal-tar pitch, 30 x 40 centimeters, Collection Carmignac, photo by Laurent Blevennec via Studio Benoît Pype

In the Palais de l’Élysée, the 300-year-old palace that is the official residence and office of the president of France, a conceptual work of art by the artist Benoît Pype is a recent addition to more than 5,000 arts décoratifs, 500 works of art, and 100 clocks from the collections of the Mobilier National. In one of the 365 gilded rooms once home to Madame de Pompadour, Napoleon Bonaparte, and Charles de Gaulle before Emmanuel Macron, Pype’s Le Sablier Millénaire (Millenium Hourglass) proposes a much longer potential history.

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Maurizio Cattelan, Comedian

Maurizio Cattelan, Comedian, 2019, banana and duct tape, 7 ⅞ by 7 ⅞ by 2 inches (installation dimensions variable), image courtesy of Sotheby's
Maurizio Cattelan, Comedian, 2019, banana and duct tape, 7 ⅞ by 7 ⅞ by 2 inches (installation dimensions variable), image courtesy of Sotheby’s

At Art Basel Miami Beach in 2019, Maurizio Cattelan presented a work of art that captured public attention and has kept it, now five years later, past any expiration date. It was deceptively simple—a banana duct-taped to a wall and titled Comedian—but it was a provocation that became the subject of discussions about the value of art.

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City

Michael Heizer, City, 1970-2022, photo by Eric Piasecki, © Michael Heizer / Triple Aught Foundation

In a remote valley of central eastern Nevada, a complex of shaped landmasses and monolithic structures is thought to be the largest sculpture in the world. Composed of rocks, compacted dirt, and concrete, a mile and a half long and half a mile wide, Michael Heizer’s City is a vast work of Land Art.

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Orbital Reflector

Trevor Paglen, Nine Reconnaissance Satellites over the Sonora Pass, 2008, C-Print, 48 x 60 inches; courtesy of Trevor Paglen, Metro Pictures, New York; Altman Siegel, San Francisco; © Trevor Paglen
Trevor Paglen, Nine Reconnaissance Satellites over the Sonora Pass, 2008, C-Print, 48 x 60 inches; courtesy of Trevor Paglen, Metro Pictures, New York; Altman Siegel, San Francisco; © Trevor Paglen

At 10:34 a.m. on December 3, 2018, the SpaceX Falcon 9 rocket launched from Vandenberg Air Force Base in California. Two hours later, 350 miles above Earth’s surface, it released 64 satellites into orbit for the largest satellite launch in US history. One of those, Orbital Reflector, will be the first “purely artistic” object in space.

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The London Mastaba

Christo and Jeanne-Claude, The Mastaba (Project for London, Hyde Park, Serpentine Lake), 2016-2018, photo by Wolfgang Volz
Christo and Jeanne-Claude, The Mastaba (Project for London, Hyde Park, Serpentine Lake), 2016-2018, photo by Wolfgang Volz

In London’s Hyde Park, a monumental form floating on the Serpentine Lake is a feat of engineering and a spectacle many years in the making. Titled The Mastaba (Project for London, Hyde Park, Serpentine Lake), it is a temporary installation by the conceptual and environmental artists Christo and Jeanne-Claude.

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The Vertical Earth Kilometer

The Friedrichsplatz and Fridericianum, Kassel, Germany, photo by Carroy via Wikimedia Commons
The Friedrichsplatz and Fridericianum, Kassel, Germany, photo by Carroy via Wikimedia Commons

Every five years in Kassel, Germany, documenta is a contemporary art exhibition lasting 100 days. Each edition presents hundreds of works in and around the city, typically conceptual and frequently site-specific. Of the thousands of works shown since the first documenta in 1955, sixteen have become permanent installations in Kassel.

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I stormens öga

Bigert and Bergström, I stormens öga, installation view, 2017; photo by Jean-Baptiste Béranger, courtesy of Artipelag
Bigert and Bergström, I stormens öga, installation view, 2017; photo by Jean-Baptiste Béranger, courtesy of Artipelag

At Artipelag, a museum overlooking a bay in the Stockholm archipelago, an exhibition by Mats Bigert and Lars Bergström considers the intersection of culture and climate change. I stormens öga (In the storm’s eye) comprises works from 1990 to 2017 focusing on weather, climate, and human activity.

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