Anila Quayyum Agha, Intersections (installation view, Grand Rapids Art Museum), 2014; image courtesy of Anila Quayyum Agha
In Michigan’s Grand Rapids Art Museum, Anila Quayyum Agha’s Intersections is installed after being named the winner of ArtPrize 2014. The installation consists of a light source inside a laser-cut wooden cube, casting shadows that evoke Islamic sacred spaces.
Ólafur Elíasson, Riverbed, 2014; installation view, Louisiana Museum of Modern Art, Humlebæk, Denmark, 2014; photo by Anders Sune Berg
In Denmark’s Louisiana Museum of Modern Art, Ólafur Elíasson has transformed the museum’s South Wing into a rocky river landscape with a site-specific installation combining nature, architecture, and art.
Richard Serra, East-West/West-East, image via Qatar Museums Authority
This spring, coinciding with his first major exhibition in the Middle East, American sculptor Richard Serra launched a public art commission in Qatar entitled East-West/West-East. Serra’s large-scale assemblies of sheet metal are famously minimal and massive, and this site-specific work in Qatar is absolutely monolithic.
Maurizio Cattelan, La Nona Ora (The Ninth Hour), 1999; wax, clothing, polyester resin with metallic powder, volcanic rock, carpet, glass, dimensions variable; image via Christie’s
Maurizio Cattelan’s installation of La Nona Ora (The Ninth Hour) is a life-sized effigy of Pope John Paul II struck down by a meteor. First exhibited in 1999 at the Kunsthalle Basel, La Nona Ora was featured at the Royal Academy in London in 2000, and also at the Zacheta Gallery of Contemporary Art in Warsaw. Christie’s sold the piece in 2001 for $886,000, and a second version was auctioned by Phillips, de Pury & Company in 2004 for $3 million.