Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.
In the Australian outback near Uluru, a temporary art installation has been created near one of the world’s most recognizable natural landmarks. The project, Field of Light, opened at sunset on April 1.
At the Place du Panthéon in Paris, twelve enormous blocks of ice are melting as world leaders are gathered nearby at Le Bourget for the UN Climate Summit. The ice is an installation by the Danish-Icelandic artist Ólafur Elíasson, whose work frequently joins nature and public installations to affect perceptions of the environment.
Recently, we have been enamored with landscapes and water. Here’s a thematic roundup with two exhibitions that we’re sorry to have missed, and two that we plan to see soon.
At the Oklahoma City Museum of Art, My Generation: Young Chinese Artists presents works by artists born in mainland China after 1976. They are products of China’s one-child policy and have grown up during a time of rapid urbanization, globalization, and cultural transition.
In Denmark’s Louisiana Museum of Modern Art, Ólafur Elíasson has transformed the museum’s South Wing into a rocky river landscape with a site-specific installation combining nature, architecture, and art.
This summer, André Le Nôtre’s 17th-century Water Theater grove at Versailles has been restored by the landscape designer Louis Benech with contemporary sculptures by Jean-Michel Othoniel – the first new permanent artworks added the garden in over 300 years.
Last week in London, a Monet water lily painting sold for $54 million in Sotheby’s Impressionist & Modern Art Evening Sale. The work, a 1906 Nymphéas, is one of a series completed from 1905 to 1907 at Giverny.
This spring, coinciding with his first major exhibition in the Middle East, American sculptor Richard Serra launched a public art commission in Qatar entitled East-West/West-East. Serra’s large-scale assemblies of sheet metal are famously minimal and massive, and this site-specific work in Qatar is absolutely monolithic.