I stormens öga

Bigert and Bergström, I stormens öga, installation view, 2017; photo by Jean-Baptiste Béranger, courtesy of Artipelag
Bigert and Bergström, I stormens öga, installation view, 2017; photo by Jean-Baptiste Béranger, courtesy of Artipelag

At Artipelag, a museum overlooking a bay in the Stockholm archipelago, an exhibition by Mats Bigert and Lars Bergström considers the intersection of culture and climate change. I stormens öga (In the storm’s eye) comprises works from 1990 to 2017 focusing on weather, climate, and human activity.

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Imagine Peace Tower

Imagine Peace Tower, Viðey Island, Iceland; image via Imagine Peace Tower © Yoko Ono
Imagine Peace Tower, Viðey Island, Iceland; image via Imagine Peace Tower © Yoko Ono

On Viðey Island, near Reykjavík, Iceland, a beam of light shines up into the sky, penetrating the clouds up to an altitude of at least 4,000 meters. The light comes from the Imagine Peace Tower, a work conceived by Yoko Ono as a memorial to John Lennon and dedicated to peace.

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Ólafur Elíasson at the Château de Versailles

Ólafur Elíasson, The Gaze of Versailles, 2016; installation view at the Château de Versailles; photo by Anders Sune Berg, © Ólafur Elíasson
Ólafur Elíasson, The Gaze of Versailles, 2016; installation view at the Château de Versailles; photo by Anders Sune Berg, © Ólafur Elíasson

Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.

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Ólafur Elíasson, Ice Watch

Video still from #IceWatchParis © 2015 Ólafur Elíasson
Video still from #IceWatchParis © 2015 Ólafur Elíasson

At the Place du Panthéon in Paris, twelve enormous blocks of ice are melting as world leaders are gathered nearby at Le Bourget for the UN Climate Summit. The ice is an installation by the Danish-Icelandic artist Ólafur Elíasson, whose work frequently joins nature and public installations to affect perceptions of the environment.

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My Generation: Young Chinese Artists

Chi Peng, Sprinting Forward
Chi Peng, Sprinting Forward, 2004; chromogenic print, 47-1/4 x 91-1/2 in; © Chi Peng, courtesy of the artist; photo courtesy of the Tampa Museum of Art

At the Oklahoma City Museum of Art, My Generation: Young Chinese Artists presents works by artists born in mainland China after 1976. They are products of China’s one-child policy and have grown up during a time of rapid urbanization, globalization, and cultural transition.

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