In London’s Hyde Park, a monumental form floating on the Serpentine Lake is a feat of engineering and a spectacle many years in the making. Titled The Mastaba (Project for London, Hyde Park, Serpentine Lake), it is a temporary installation by the conceptual and environmental artists Christo and Jeanne-Claude.
Every five years in Kassel, Germany, documenta is a contemporary art exhibition lasting 100 days. Each edition presents hundreds of works in and around the city, typically conceptual and frequently site-specific. Of the thousands of works shown since the first documenta in 1955, sixteen have become permanent installations in Kassel.
At Artipelag, a museum overlooking a bay in the Stockholm archipelago, an exhibition by Mats Bigert and Lars Bergström considers the intersection of culture and climate change. I stormens öga (In the storm’s eye) comprises works from 1990 to 2017 focusing on weather, climate, and human activity.
Five years after Maurizio Cattelan announced his retirement, following a 2011 retrospective at the Guggenheim in New York, a new exhibition at the Monnaie de Paris marks his return to the art world. Not Afraid of Love includes 44 artworks installed within the Monnaie’s 18th century salons and is Cattelan’s largest exhibition in Europe to date.
On Viðey Island, near Reykjavík, Iceland, a beam of light shines up into the sky, penetrating the clouds up to an altitude of at least 4,000 meters. The light comes from the Imagine Peace Tower, a work conceived by Yoko Ono as a memorial to John Lennon and dedicated to peace.
In České Budějovice, a historic capital in the south of the Czech Republic, the city’s public art gallery has temporarily appropriated a fountain within the town square. Designed by Jan Šépka Architects for the Domu umění města (House of Art), the project creates an experience to reconsider perceptions of public space.
This weekend, a large-scale project on Italy’s Lake Iseo connected two islands to each other and to the mainland. The project is not a bridge, tunnel, or other infrastructure, but a temporary art installation by the conceptual and environmental artist Christo.
In 1971, Yoko Ono placed ads in the Village Voice and The New York Times announcing The Museum of Modern [F]art, her one-woman show at MoMA. The 100-page exhibition catalogue included an image of Yoko Ono in MoMA’s sculpture garden with a jar of flies, which were to be released into the city and then photographed as they buzzed across New York. Continue reading