Each summer since 2008, the Château de Versailles presents a contemporary monographic exhibition by a guest artist. For the ninth edition in 2016, Ólafur Elíasson has installed a series of site-specific works – three in the gardens and six inside the palace – to produce new perceptions of the iconic site.
In Paris, the iconic pyramid that serves as the main entrance to the Musée du Louvre seems to have temporarily disappeared. The illusion is the result of an anamorphic installation by the street artist JR.
After a three-year expansion and renovation, the new San Francisco Museum of Modern Art opened to the public this weekend. The museum has more than doubled in size and is now the largest modern and contemporary art museum in the US.
In the Australian outback near Uluru, a temporary art installation has been created near one of the world’s most recognizable natural landmarks. The project, Field of Light, opened at sunset on April 1.
At Dawson Cole Fine Art in Palm Desert, an exhibition of realist paintings by Tom Betts opens on April 1. The exhibition, Fire Light, brings together eight new works from a series of the same title.
Anish Kapoor has acquired exclusive rights to use a new material known as Vantablack. The substance was developed by Surrey NanoSystems for potential uses in optics and military applications, but will be used creatively, and exclusively, by the British artist.
The Palm Springs Fine Art Fair will open its fifth edition on February 12, 2016. As in previous years, PSFAF coincides with Modernism Week and a Presidential visit to Sunnylands, making the Coachella Valley a hot ticket for the holiday weekend. More than 14,000 visitors are expected for the West Coast’s best art fair, which continues through February 14.
At the Winter Palace in Vienna, a selection of works by Ólafur Elíasson forms a site-specific exhibition titled Baroque Baroque. More than a dozen works, created during the last twenty years, are installed within the architecture of the 18th century palace. The contrast of Elíasson’s contemporary works inside grand Baroque staterooms alters perceptions of space and history for an experience that supersedes both.