At Artipelag, a museum overlooking a bay in the Stockholm archipelago, an exhibition by Mats Bigert and Lars Bergström considers the intersection of culture and climate change. I stormens öga (In the storm’s eye) comprises works from 1990 to 2017 focusing on weather, climate, and human activity.
The art world’s newest biennale is also the smallest. On an uninhabited Caribbean island, works by 14 artists comprise In a Land of, the inaugural edition of the Biennale de La Biche.
Five years after Maurizio Cattelan announced his retirement, following a 2011 retrospective at the Guggenheim in New York, a new exhibition at the Monnaie de Paris marks his return to the art world. Not Afraid of Love includes 44 artworks installed within the Monnaie’s 18th century salons and is Cattelan’s largest exhibition in Europe to date.
In České Budějovice, a historic capital in the south of the Czech Republic, the city’s public art gallery has temporarily appropriated a fountain within the town square. Designed by Jan Šépka Architects for the Domu umění města (House of Art), the project creates a site-specific experience to reconsider perceptions of public space.
A temporary outdoor sculpture exhibition has opened in the Swiss Alps with installations of six works by Alexander Calder. Presented by Hauser & Wirth and the Calder Foundation, Calder in the Alps takes place in and around the posh resort town of Gstaad.
This weekend, a large-scale project on Italy’s Lake Iseo connected two islands to each other and to the mainland. The project is not a bridge, tunnel, or other infrastructure, but a temporary art installation by the conceptual and environmental artist Christo.
At Dawson Cole Fine Art in Palm Desert, an exhibition of realist paintings by Tom Betts opens on April 1. The exhibition, Fire Light, brings together eight new works from a series of the same title.
Yoko Ono: Lumière de L’aube opens this week at the Musée d’Art Contemporain in Lyon. The exhibition follows One Woman Show at MoMA in New York, and is Yoko Ono’s first retrospective in France.
At the Winter Palace in Vienna, a selection of works by Ólafur Elíasson forms a site-specific exhibition titled Baroque Baroque. More than a dozen works, created during the last twenty years, are installed within the architecture of the 18th century palace. The contrast of Elíasson’s contemporary works inside grand Baroque staterooms alters perceptions of space and history for an experience that supersedes both.
At the Place du Panthéon in Paris, twelve enormous blocks of ice are melting as world leaders are gathered nearby at Le Bourget for the UN Climate Summit. The ice is an installation by the Danish-Icelandic artist Ólafur Elíasson, whose work frequently joins nature and public installations to affect perceptions of the environment.